Monday, January 29, 2024

Joe Allison 1968

 





Joe Allison was star of Country music.  Writer of Jim Reeves blockbuster song "He'll Have to Go", signed Willie Nelson to his first recording contract.  Longtime DJ and record company executive. Joe brought a neighborly style to his radio shows.  Something that Country Music radio hadn't seen before.

Here's a 1968 visit with Joe and the "Country Corner"

Wolfman Jack 1985

 



Here's some great audio from AFN Soesterberg.  We sure had some great places to go.  Here's the Wolf!


Thursday, January 25, 2024

AFN Mark White 1954

 


Here's Mark White interviewing Richard Widmark in 1954






AFN Mark White - Safety Star Time 1954

Roger Carroll 1969

 

Young Roger Carroll

Roger was an important part of AFRTS for well over three decades, it was more than playing records.  Here's some 1969 gold..



Mary Turner 1992

   



It was a scandal.  In the early 80s when the network started the Mary Turner show.  Loud Rock and Roll.  What will the generals say?  We'll find out.  Mary brought her KMET show to the world and it was a very good thing.



Tom Campbell 1980

  


Tom is still around.  Great guy who helped a lot with the Best Sounds stream.  And now from Torrejon..



Wednesday, January 24, 2024

Herman Griffith 1965

   


"Hello Gang!  Here's Herman Griffith with exitement in sound and music in motion!! The rock AND the roll for the young and the old, the brave and the bold on the Record Caravan!!!! "

Don Browne shares some memories:

"When I first heard "The Herman Griffith Show" on AFRTS (at FEN in 1969), I was appalled.


He was "stepping on" the starting vocal (later called "the post") of every song, "talking over" the entire lyric of many songs, and worst of all, mispronouncing AFRTS. Griffith called it "Aye-Eff-Argh-ugh-Tee-Ess!

He was definitely relegated to the "vampire squad" (1 a.m. to 5 a.m.) on FEN!

It was two years later that I discovered what caused "the Herman Griffith syndrome".

I visited AFRTS-LA and took a closer look at their so-called "broadcast studios".

They had been designed as "recording studios" by a contractor who was told that "they were making records" at AFRTS-LA.
A true enough statement. But not making records like for orchestras and singers, with separate channels each with EQ, separate tape-recorder playback of selectable sources designed for multi-track, and combination of audio sources "down-stream" for multi-track. They initially didn't have "mute" when a microphone was "live" because "recording studios" didn't "mute" mikes.

A typical "recording studio", not for broadcasting purposes.

The multi-channel audio control consoles were manufactured by "Unidyne" for four studios at 1016 North McCadden Place in 1965.

When Herman Griffith recorded his show, he heard the music on playback from the tape recorder, two-seconds after the "live" recorder input. Playback was for confidence-only, to ensure that a recording was being made. Herman's voice was combined "down-stream", so Herman in natural radio procedure "cupped-his-ear" to hear his "live" voice.

Therefore, in real time, Herman stepped on every starting vocal.

The radio producers weren't experienced in the R&B format and thought this was normal.
The "Unidynes" were eventually replaced with "broadcast" consoles."

 This would have been the place to rock.  Roland Bynum said that Herman introduced him to the AFRTS gig.



Andy Mansfield 1964

 

Andy Mansfield had a long run with AFRTS, from Turn Back The Clock in the 50s to America's Popular Music in the 1960s he had those oldies.  In 1964 he did a tribute to Glenn Miller..  Here's Part 10.



Friday, January 19, 2024

Johnny Dollar 1965




 By the 1980s there were a lot of troops that hadn't heard radio dramas or comedies the first time.  Since there were several places that AFRTS didn't have television we aired shows from a pretty amazing library.  Frank Bresee's Golden Age Of Radio was recorded until 1996.

Yours Truly Johnny Dollar was a fun show:

This is a 1965 rebroadcast: Yours Truly, Johnny Dollar. September 22, 1957 "The Ideal Vacation Matter". An escaped convict sends Johnny on a mission to protect someone doesn't know that his life's in danger. He's on vacation...an ideal vacation!


Tom Campbell 1980

  




Tom was another guy who worked Minneapolis.  He was Paul Bunyan at WDGY before getting to the coast and killin' it in San Francisco.

Great phone number...

So, from Torrejon...


Roland Bynum 1979

 


The weekend must be here, it's a Friday in 1979 and Roland Bynum leads us into the Creator's Workshop.



Thursday, January 18, 2024

Johnny Magnus 1965

 

KMPC was truly represented by AFRTS.  I don't know a lot about Johnny Magnus, but here's a 1965 visit.  In the picture it's Johnny with RC taken at a Christmas promotion of KMPC.


Jim Pewter 1980

 

Jim with Little Richard


Hey everybody, jump up in your seats.
Here is the man with a million beats.
They make you jump, they make you sing.
He'll do just about anything.
Everybody gonna rock and roll steady with the Jim Pewter Show.

Jim lived up to the slogan.  I could always feel the respect and love for the music.  He introduced me to a lot of amazing memories.

Don Tracy 1983

 

"You can tell it's hot" Don Tracy starts the weekend with this Friday show from 1983.



Friday, January 12, 2024

Chris Noel 1969

 


Time for another Date With Chris.  The show was on for half a dozen years and touched a lot of hearts.  Chris still helps with her veterans shelter.  You should take a look and help out.  There for the grace of... Chris Noel's Ceasefire House

But now it's 1969 and time for Chris Noel...



Joe Ferguson 1983

 


Joe Ferguson is back with another hour of the "Joe Show".  Joe was doing his show in Portland (OR) and did a series of programs for AFRTS.



Thursday, January 11, 2024

AFVN Bruce Wahl 1970

 

AFVN Detachment 3
 
Bruce volunteered for an electronics MOS and was trained as a missile guidance system repairman, but shortly thereafter he was selected for OCS, and received his commission at Fort Benning in April 1969.  His first assignment was as Executive Officer in a Basic Training Company at Fort Jackson, South Carolina, and this was followed 8 months later by an assignment to Vietnam.  For the next four months he served as Battalion Training Advisor at the Army of the Republic of Vietnam Infantry Officer Candidate School in Thu Duc.  This ended in April 1970 when he was promoted to First Lieutenant and reassigned to AFVN as Commander of Detachment 3 in Pleiku.
 
This was right up Bruce's alley.  It was like Br'er Rabbit in the briar patch.  Since childhood, a career in radio was all he ever wanted.  Although only 21 years old, he had an FCC license by virtue of several years' experience in commercial and college radio.  His first assignment at Pleiku, however, was a tough one.  The station used worn and outdated equipment, and his job was to improve the maintenance and update the facilities.
 
Through intricate negotiations, including official requisitioning and unofficial scrounging, Bruce built a TV studio with two state-of-the-art cameras, also he remodeled the radio studio and built a second fully-equipped radio studio, replaced the TV transmitter, built a shed over the equipment van, improved the barracks, and repainted the building with a colorful floral design, and . . . he waxed the floors.
 
Returning to the civilian side of life in 1971, Bruce knew he wanted to stay in radio, so he hunted a job in the Washington, DC area where he had grown up.  There was a new radio network, of sorts, still in the developmental stage, and he thought it had potential.  He applied for a job, and soon became one of the very first employees of National Public Radio.  He worked in engineering, and was a part of the first production of "All Things Considered" on 3 May 1971.
 
In 2008 Bruce was elected mayor of Chesapeake Beach.
 
While Bruce continues his NPR job, wife Becky manages a local housing complex.  The Wahl's have two daughters and two sons, and the Mayor is proud of his four grandchildren.
 
Biographical information from our friends at www,macoi.net 
 
AFVN Bruce Wahl 1970

It appears to have been recorded from midnight - 1am on Sunday 16th August, 1970.  Bruce gives the time, and the date can be established from the Whitehall, Columbus OH bombing story in the news.
 
 

John Doremus 1969

 


Been a long time since we had a visit with John Doremus.  John was the big voice of soft music after Jim Ameche and before Pete Smith.  He recorded a bunch of PSAs for us that we were using many years after.  He was the one that brought music to air travel.  He hosted a nationwide program of soft muisc on the BIG AM stations in the 60s.  Big talent.


Wednesday, January 10, 2024

Gene Price 1980

 

 A nice gift for holiday giving is Gene's book, "Lukas Maiden Voyage".  It's a story of hope.  It was written by a friend. 

Here's Gene and Leonard with your country favorites.



Mary Helen Barro 1983

 


Las musica mas major en el mundo!  Mary Helen Barro plays your Latin favorites on a Monday in 1983.



Tuesday, January 9, 2024

Charlie Tuna 1974

 


Our Breakfast Serial continues with this visit with Radio Hall of Famer Charlie Tuna. A lot of people started their duty day with Charlie. He started with us in 1972 and was there until the end of originated network programming in 1996.


Charlie Tuna - 1974

More Charlie Tuna


Joe Allison 1968

 


Joe Allison has another hour of your favorites on the Country Corner.  Joe was a DJ, songwriter, producer, executive and all out fan of country music, spreading it worldwide.



Thursday, January 4, 2024

Tuesday, January 2, 2024

Mary Turner 1985

  



Mary Turner really rocked the house.  Normally when any of the jocks got a reaction, it'd be split.  The ones that were really liked would draw complaints.  I never remember fielding a complaint about Mary.  I remember the barracks rocking.  Thank you  Mary.  Continued success!



Vance Graham 1973

  





KMPCs Vance Graham sees Amelia Earhart off.


Latino! A special program, presented five times a week. With Victor, at your service.

"Victor" was Vance Graham.  An announcer who's career went back to WWII when he was doing news at KMPC.  Later he worked at KFI.  Prior to Latino, Vance did the "Bolero Time" program for AFRTS.  "Vance Graham Bolero Show"  was a daily feature at KTYM Los Angeles in the 1950s.


We ran TWO Latin shows at the same time? I didn't know this. The other show was Viva!


Heman Griffith 1965

   


"Hello Gang!  Here's Herman Griffith with exitement in sound and music in motion!! The rock AND the roll for the young and the old, the brave and the bold on the Record Caravan!!!! "

Don Browne shares some memories:

"When I first heard "The Herman Griffith Show" on AFRTS (at FEN in 1969), I was appalled.


He was "stepping on" the starting vocal (later called "the post") of every song, "talking over" the entire lyric of many songs, and worst of all, mispronouncing AFRTS. Griffith called it "Aye-Eff-Argh-ugh-Tee-Ess!

He was definitely relegated to the "vampire squad" (1 a.m. to 5 a.m.) on FEN!

It was two years later that I discovered what caused "the Herman Griffith syndrome".

I visited AFRTS-LA and took a closer look at their so-called "broadcast studios".

They had been designed as "recording studios" by a contractor who was told that "they were making records" at AFRTS-LA.
A true enough statement. But not making records like for orchestras and singers, with separate channels each with EQ, separate tape-recorder playback of selectable sources designed for multi-track, and combination of audio sources "down-stream" for multi-track. They initially didn't have "mute" when a microphone was "live" because "recording studios" didn't "mute" mikes.

A typical "recording studio", not for broadcasting purposes.

The multi-channel audio control consoles were manufactured by "Unidyne" for four studios at 1016 North McCadden Place in 1965.

When Herman Griffith recorded his show, he heard the music on playback from the tape recorder, two-seconds after the "live" recorder input. Playback was for confidence-only, to ensure that a recording was being made. Herman's voice was combined "down-stream", so Herman in natural radio procedure "cupped-his-ear" to hear his "live" voice.

Therefore, in real time, Herman stepped on every starting vocal.

The radio producers weren't experienced in the R&B format and thought this was normal.
The "Unidynes" were eventually replaced with "broadcast" consoles."

 This would have been the place to rock.  Roland Bynum said that Herman introduced him to the AFRTS gig.